1 Stock Footage Clip is in the Clouds

One of my favorite things to shoot, is negative space.  I love highlighting movement by including emptiness.  It took me a while to find a day that had the clouds moving the way I needed them to in order to achieve a shot like this.  I've had an idea for this shot ever since I started this site.  Luckily, it only took 3 years!  This would be a great clip to use as a title card or opening shot for your projects.  Plenty of room to add text and play around.  Hope you can use it!

You can preview and download the clips by clicking "read more" below.  Happy Downloading!

As always, please e-mail, like us or share this on facebook, tweet, google plus, pinterest or do whatever you can to spread the word about this site. Thanks!

These videos were shot using the Sony NEX-FS700 and a Canon EF 24-105mm f/4 L IS USM Lens

1 Free Stock Footage Clip Needs to Focus More

I've been hoping to post a few more abstract clips for people to use as backgrounds in their work.  The somewhat unique thing about this clip is that it is ACTUAL footage ... no After Effects here.  These are from 2 sets of outdoor string lights I bought on clearance from the hardware store bunched together.  The lights are supposed to mimic fireflies.  I put my camera lens a few inches away and set the focus to infinity.  The result is a beautiful, natural bokeh background. The color is true to what the light produced, but you are more than welcome to tint it in your NLE to match your project's asthetic.

You can preview and download the clips by clicking "read more" below.  Happy Downloading!

As always, please e-mail, like us or share this on facebook, tweet, google plus, pinterest or do whatever you can to spread the word about this site. Thanks!

These videos were shot using the Sony NEX-FS700 and a Canon EF 24-105mm f/4 L IS USM Lens

1 Free Stock Footage Clip Hits the Deck

Here is another clip I had been meaning to do for a while.  I've finally found the time to sit down and capture it.  Personally, the timing is perfect, considering I am completely geeking out over Marvel's new Guardians of the Galaxy movie (unpaid plug, but if you want to send me something Marvel, I won't turn it down!).  For those of you media professionals who are late to the game making a video review, feel free to utilize this in your project (It would make a great title card!).

This clip has also been made loopable.

You can preview and download the clips by clicking "read more" below.  Happy Downloading!

As always, please e-mail, like us or share this on facebook, tweet, google plus, pinterest or do whatever you can to spread the word about this site. Thanks!

This video was shot using a Canon EOS Rebel T2i and a Sigma 24mm f/1.8 EX DG Lens

2 Free Stock Footage Clips Are Presented Secondhand

You can preview and download the clips by clicking "read more" below.  Happy Downloading!

As always, please e-mail, like us or share this on facebook, tweet, google plus, pinterest or do whatever you can to spread the word about this site. Thanks!

These videos were shot using a Sony NEX-FS700 and the Sigma 24mm f/1.8 EX DG Lens with a Metabones EF to NEX Speedboster Adapter

2 Free Stock Footage Clips Have Met Their Match

This shot is one I've been wanting to do ever since I got the FS-700.  It is also one that was suggested to me by a "follower" on Facebook.

One of the things I love about working through these random shots is realizing where my current limitations are and developing strategies, plans and work-arounds to improve.  While I like both of these clips, I was pushing the boundaries of my Sigma 24mm Macro lens.  The matchbox was as close as I could get and still stay in it's minimum depth of field.  At this distance and focal length, the match head was not filling the frame as much as I had originally envisioned.  To me, this experience then means researching and eventually purchasing a longer macro lens for extreme close-ups (Please feel free to leave suggestions of what type YOU like in the comment section below).

The one benefit to restricting myself to this distance, was the amount of surface area I had on the match box to strike it and still keep the action in frame ... holy cow!  It was REALLY hard to strike that match, even within these wider than desired confines.  If you look closely, you'll be able to see the wood bending due to the force that I needed to apply to get the match to ignite.

You can preview and download the clips by clicking "read more" below.  Happy Downloading!

As always, please e-mail, like us or share this on facebook, tweet, google plus, pinterest or do whatever you can to spread the word about this site. Thanks!

These videos were shot using a Sony NEX-FS700 and the Sigma 24mm f/1.8 EX DG Lens with a Metabones EF to NEX Speedboster Adapter